There has been a profound shift in the direction of archaeological activity in the last fifteen years, a change reflected in this volume. While excavation remains a professional priority, the interpretation of archaeological evidence is now attracting increasing critical study. In part this is stemmed from the public demand for explanation of archaeological evidence, which moves beyond the more restricted academic debate among archaeologists. But it also follows from a desire among archaeologists to come to terms with their own subjective approaches to the material they study, and a recognition of how past researchers have also imposed their own value systems on the evidence which they presented.
This volume provides a forum for debate between varied approaches to the past from leading archaeologists in Europe, North America, Asia and Australasia. It addresses the philosophical issues involved in interpretation, and the origins of meaning in the evolution and emergence of 'mind' in early hominids. It covers the ways in which material culture is understood and presented in museums, and how the nature of history is itself in flux.

Michael Shanks's lively work is a guide to the discipline of classical archaeology and its objects. One of the main functions of his study is to assess archaeology as a means of reconstructing ancient Greek society using the latest aproaches of social archaeology. In addition, The Classical Archaeology of Greece outlines the history of the discipline and discusses why Classical Greece had such an impact on European civilization and identity. The author focuses on a number of examples, including the relationship between classical archaeology and romanticism and neo-classicism.

eBook available with sample pages: HB:0415085225

In "Experiencing the Past" Michael Shanks presents an animated exploration of the character of archaeology and reclaims the sentiment and feeling which is so often lost in the purely academic approach. With the use of illustrations closely associated with the text, he depicts the archaeologist as a skilled interpreter of cultural remains.
As the author moves through the debates surrounding heritage and cultural identity, archaeology becomes a cultural kaleidoscope. With perceptive clarity, Shanks considers the key concerns of archaeology in the 1990s and weighs controversial topics such as scientific objectivity and the validity of different claims to the past. The result is an exposition of archaeology as a field of human discernment and understanding, telling of a critical engagement with the material past. The aim of "Experiencing the Past" is not so much to instruct as to provoke thought and reflection on feelings about the past.

Archaeology is a way of acting and thinking--about what is left of the past, about the temporality of what remains, about material and temporal processes to which people and their goods are subject, about the processes of order and entropy, of making, consuming and discarding at the heart of human experience. These elements, and the practices that archaeologists follow to uncover them, is the essence of the archaeological imagination. In this extended essay, renowned archaeological theorist Michael Shanks offers his colleagues and students a window on this imaginative world of past and present and the creative role archaeology can play in uncovering it, analyzing it, and interpreting it.

Direct-to-video action thriller starring former WWE wrestler Steve 'Stone Cold' Austin. When LAPD officer Tate (Austin) leads a wayward SWAT team in a disciplinary training exercise at an abandoned warehouse, the exercise turns into a fight for survival as the team finds itself pitted against two rival gangs and armed only with blanks.

Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory and archaeological thinking. Drawing together carefully commissioned contributions by leading international scholars and artists, this radical new work poses a number of essential questions: What are the principle signifiers of theatrical presence? How is presence achieved through theatrical performance? What makes a memory come alive and live again? How is presence connected with identity? Is presence synonymous with 'being in the moment'? What is the nature of the 'co-presence' of audience and performer? Where does performance practice end and its documentation begin? Co-edited by performance specialists Gabriella Giannachi and Nick Kaye, and archaeologist Michael Shanks, Archaeologies of Presence represents an innovative and rewarding feat of interdisciplinary scholarship.

Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory and archaeological thinking. Drawing together carefully commissioned contributions by leading international scholars and artists, this radical new work poses a number of essential questions: What are the principle signifiers of theatrical presence? How is presence achieved through theatrical performance? What makes a memory come alive and live again? How is presence connected with identity? Is presence synonymous with 'being in the moment'? What is the nature of the 'co-presence' of audience and performer? Where does performance practice end and its documentation begin? Co-edited by performance specialists Gabriella Giannachi and Nick Kaye, and archaeologist Michael Shanks, Archaeologies of Presence represents an innovative and rewarding feat of interdisciplinary scholarship.

In Experiencing the Past Michael Shanks presents an animated exploration of the character of archaeology and reclaims the sentiment and feeling which are so often lost in purely academic approaches.

Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.

Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.

Archaeology in the Making is a collection of bold statements about archaeology, its history, how it works, and why it is more important than ever. This book comprises conversations about archaeology among some of its notable contemporary figures. They delve deeply into the questions that have come to fascinate archaeologists over the last forty years or so, those that concern major events in human history such as the origins of agriculture and the state, and questions about the way archaeologists go about their work. Many of the conversations highlight quite intensely held personal insight into what motivates us to pursue archaeology; some may even be termed outrageous in the light they shed on the way archaeological institutions operate - excavation teams, professional associations, university departments. Archaeology in the Making is a unique document detailing the history of archaeology in second half of the 20th century to the present day through the words of some of its key proponents. It will be invaluable for anybody who wants to understand the theory and practice of this ever developing discipline.

Archaeologists do not discover the past but take the fragmentary remains which they recover and make something of them. Archaeology is a process of detection and supposition; this is what makes it so fascinating. However, the interpretations of archaeologists differ and change over time. They depend upon the amount of evidence available, the ideas and preconceptions of the archaeologist and their interests and aims.
Michael Shanks's enlivening work is a guide to the discipline of classical archaeology and its objects. It assesses archaeology as a means of reconstructing ancient Greek society using the latest approaches of social archaeology. In addition, The Classical Archaeology of Greece outlines the history of the discipline and discusses why Classical Greece continues to fascinate us and why it has had such an impact on European civilization and identity.

eBook available with sample pages: 0203171977

There has been a profound shift in the direction of archaeological activity in the last 15 years. While excavation remains a professional priority, the interpretation of archaeological evidence is now attracting increasing critical study. In part, this stems from the public demand for explanation of archaeological evidence, which moves beyond the more restricted academic debate among archaeologists. But it also follows from a desire among archaeologists to come to terms with their own subjective approaches to the material they study, and a recognition of how past researchers have also imposed their own value systems on the evidence which they presented. This volume provides a forum for debate between varied approaches to the past. The authors, drawn from Europe, North America, Aisa and Australasia, represent many different strands of archaeology. It addresses the philosophical issues involved in interpretation, and the origins of meaning in the evolution and emergence of "mind" in early hominids. It covers the ways in which material culture is understood, and presented in museums, and how the nature of history is itself in flux.

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Archaeology in the Making is a collection of bold statements about archaeology, its history, how it works, and why it is more important than ever. This book comprises conversations about archaeology among some of its notable contemporary figures. They delve deeply into the questions that have come to fascinate archaeologists over the last forty years or so, those that concern major events in human history such as the origins of agriculture and the state, and questions about the way archaeologists go about their work. Many of the conversations highlight quite intensely held personal insight into what motivates us to pursue archaeology; some may even be termed outrageous in the light they shed on the way archaeological institutions operate - excavation teams, professional associations, university departments. Archaeology in the Making is a unique document detailing the history of archaeology in second half of the 20th century to the present day through the words of some of its key proponents. It will be invaluable for anybody who wants to understand the theory and practice of this ever developing discipline.

Archaeology is a way of acting and thinking--about what is left of the past, about the temporality of what remains, about material and temporal processes to which people and their goods are subject, about the processes of order and entropy, of making, consuming and discarding at the heart of human experience. These elements, and the practices that archaeologists follow to uncover them, is the essence of the archaeological imagination. In this extended essay, renowned archaeological theorist Michael Shanks offers his colleagues and students a window on this imaginative world of past and present and the creative role archaeology can play in uncovering it, analyzing it, and interpreting it.

Lowell Dean directs this horror starring Katharine Isabelle, Michael Shanks and Brendan Fehr. When six forensic science students are given an assignment to conduct research on an abandoned island where life-term prisoners were once held, they are unaware of the horrors they are about to face. As they explore the island of Eerie Strait, they discover that the bodies of the lifers were never removed from the island. After finding a mysterious corpse out in the woods the group begin to realise that this is no ordinary science trip.

Neill Blomkamp writes and directs this sci-fi drama starring Matt Damon and Jodie Foster. It is the year 2154 and the wealthy have fled the overpopulated and largely resource-drained Earth in favour of Elysium, a luxurious space habitat located in the planet's orbit. With no poverty, no sickness and no war, the contrast between Elysium and the ravaged planet it revolves around couldn't be starker - and is tough for those left on Earth to bear. When Max De Costa (Damon) learns that he has no hope of beating the cancer that has afflicted him without breaking into Elysium, he understands the scale of the task he has undertaken. With Secretary Delacourt (Foster) charged with enforcing Elysium's strict anti-immigration policies and a team of hardened troops at her disposal, led by the ferocious Agent Kruger (Sharlto Copley), Max faces the battle of his life if he intends to bridge the cosmic gap between rich and poor.

Archaeology has always been marked by its particular care, obligation, and loyalty to things. While archaeologists may not share similar perspectives or practices, they find common ground in their concern for objects monumental and mundane. This book considers the myriad ways that archaeologists engage with things in order to craft stories, both big and small, concerning our relations with materials and the nature of the past. Literally the "science of old things", archaeology does not discover the past as it was but must work with what remains. Such work involves the tangible mediation of past and present, of people and their cultural fabric, for things cannot be separated from society. Things are us. This book does not set forth a sweeping new theory. It does not seek to transform the discipline of archaeology. Rather, it aims to understand precisely what archaeologists do and to urge practitioners toward a renewed focus on and care for things.